“I Came Across This Old Photography of Mine”
Fake Plastic Heads, the innovative band known for their unique soundscapes and thought-provoking visuals, has just released a new music video for their latest single, “I Came Across This Photograph of Mine.” This ambient track, characterized by its calm and relaxing IDM and glitch music elements, is accompanied by a stunning visual narrative set against the backdrop of Brutalist architecture.
The Soundscape
“I Came Across This Photograph of Mine” diverges from the high-energy rhythms typically associated with IDM (Intelligent Dance Music), instead embracing a more serene and reflective mood. The track’s glitch elements introduce a layer of complexity, crafting a sonic landscape that is both soothing and intriguing. The ambient nature of the song invites listeners to pause and reflect, much like the experience of discovering an old, cherished photograph.
The Visuals: A Tribute to Brutalism
The music video is a visual ode to Brutalist architecture, an architectural style that emerged in the mid-20th century and is characterized by its stark, geometric designs and use of raw concrete. This choice of setting is more than just an aesthetic decision; it reflects the song’s themes of introspection and nostalgia.
Brutalism, often perceived as cold and imposing, is reimagined through the lens of Fake Plastic Heads. The video transforms these concrete giants into spaces of contemplation and beauty. The interplay of light and shadow on the rough surfaces of Brutalist buildings mirrors the glitch elements of the music, creating a harmonious synergy between the audio and visual components.
The Artistic Vision
Fake Plastic Heads have always been known for their meticulous attention to detail and their ability to create immersive experiences through their music and visuals. The band explains that the inspiration behind the video was to explore the contrasts between the harshness of Brutalist structures and the softness of human memory and emotion. By setting the reflective and calm nature of the song against the stark Brutalist backdrop, they aim to evoke a sense of timelessness and continuity.
Conclusion
“I Came Across This Photograph of Mine” is more than just a song; it’s an experience that bridges the auditory and the visual. The music video, with its focus on Brutalist architecture, serves as a powerful visual metaphor for the themes of reflection and nostalgia that permeate the track. Fake Plastic Heads continue to push the boundaries of their art, inviting listeners and viewers alike to explore the depths of their own memories and emotions.
For fans of ambient music, IDM, and architecture, this new release by Fake Plastic Heads is a must-see and a must-hear. It stands as a testament to the band’s ability to merge different art forms into a cohesive and deeply moving narrative.
